Grackle & Sun

To Feel Linen: A Field Trip

I’ve been in the mood for art. Seeing art. Experiencing art. Thinking about art. Maybe even making art. This past Saturday, I had the good fortune to spend a beautiful day at three art exhibits at three different art museums.

The first was the St. Louis Art Museum’s Modern exhibit featuring designs from local architects, artists, and designers from the 30’s through 60’s. Very cool. Very Scandinavian. Some great textiles.

The third was a beautiful and ethically complex exhibit of African Kota at the Pulitzer Arts Foundation. Kota are wooden and metal sculptures which were carved to protect the bones of the deceased. To see these sculptures in a museum is to seen them taken away from their purpose. Despite the fascinating glimpse into another culture and history, I couldn’t help thinking, who is watching over the ancestors now?

The second was an exhibit by Sheila Hicks at the Contemporary Art Museum.  You can take the tour with me via the sad, sad photos taken with my phone’s camera, OR you can click on the link above and take a quick video tour of the whole exhibit. It gives a much better sense of scale, and you can pretend that you went with me!

Here are some pics:

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Sweden, 2004. Linen, wool, and silk.

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Feeling Blue, Seeing White, 2013. Cotton on bast.

 

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Full Regalia, 2007.

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Natural linen and triple-dyed embroidery cotton.

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Evolving Tapestry: Blue, 1967-68. Linen and silk.

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Don’t you just want to run your hands across it?

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Escape to the North, 2013. Linen, silk, bamboo, and porcupine quills.

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Masonry Panel, 1981. Linen and cotton.

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Forêt de Lin Wall Hanging (c. 1968, reconstructed 1983) Wet-spun linen.

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I can just imagine a soft breeze rustling these softly.

 

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Hieroglyph Wuppertal, 1966. Natural linen.

I truly loved this exhibit. Loved all the weaving. Loved all the linen. So much texture and colour. It was beautiful and simple and glorious. I also must admit that I had to keep my hands locked firmly under my arms so that I wouldn’t forget and touch the pieces. The soft, blue fuzziness of the Evolving Tapestry. The glorious bas-relief effect of the Forêt de Lin Wall Hanging. Which I desperately wanted to touch. To make it rustle. Like sheaves of wheat. It was almost too much. It was almost unkind to not let us touch. Almost. Textiles beg to be touched. Or I beg to touch textiles. Take your pick. ;)

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4 thoughts on “To Feel Linen: A Field Trip

  1. Thanks for the trip around the gallery. I’ve not seen much of Sheila Hicks work in the flesh.
    I sympathise with your thoughts on the African sculptures. Last year the National Gallery of Australia had an exhibition of religious items from the Pacific taken on many of the early voyages of explorers. I found the whole experience to be infinitely sad as that was the first time in several centuries that some of them had come even close to their homeland and the first time some objects had been brought together in the same place as they are housed in museums far apart from each other. The hubris of those people.

  2. I would love to touch too… but not to dust – textiles are a nightmare for museum preservation/conservation!

  3. I’m in love with “full regalia”, it’s stunning! All the work you shared is amazing to see. I too would have to hold my hands, ummm self containment.

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